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Virtual restoration. Paintings and mosaics. di Limoncelli Massimo - - Studia Archaeologica (SA) - N° 218
  Virtual restoration. Paintings and mosaics.
Virtual restoration. Paintings and mosaics.
With the contribution of Claudio Germinario e Laura Schepis.
Limoncelli Massimo

Year: 2017
Edizione: L'ERMA di BRETSCHNEIDER
Series
Binding: Brossura
Pages: 200, 138 ill. B/N, 69 ill. Col.
Size: 17 x 24 cm
 

Product code: 00013138


 
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Abstract Table of contents Authors / Editors
Massimo Limoncelli, archeologo, insegna Archeologia Virtuale presso la Scuola Superiore ISUFI dell' Università del Salento e Tecniche di Modellazione Digitale-Computer 3d presso l' Accademia i Belle Arti di Lecce. Partecipa ad attività di scavi e restauri con istituti di ricerca italiani (CNR-Ibam, Università del Salento, della Calabria, Bari, Napoli, Venezia) e stranieri (Deutsches Archaologisches Institut Rom, Universitat Zurich, Institute of Fine Arts di New York, University of Texas); ha condotto attività di ricerca in Archeologia Virtuale nel Mediterrraneo, in particolare a Hierapolis di Frigia (Turchia), Dime (Egitto), Leptis Magna (Libia), Nabeul (Tunisia), Roma, Selinunte e Metaponto.

Massimo Limoncelli, an archaeologist, teaches Virtual Archeology at the ISUFI High School of the Salento University and 3D Digital Modeling Techniques at the Lecce Academy of Fine Arts. Participates in excavation and restoration activities with Italian research institutes (CNR-Ibam, University of Salento, Calabria, Bari, Naples, Venice) and foreigners (Deutsches Archaologisches Institut Rom, University of Zurich, Institute of Fine Arts, New York, University Of Texas); He has conducted research in Virtual Archeology in the Mediterranean, in particular in Hierapolis of Frigia (Turkey), Dime (Egypt), Leptis Magna (Libya), Nabeul (Tunisia), Rome, Selinunte and Metaponto.
Index

Foreword
Richard Hodges

Vorwort
Norbert Zimmermann

Premise
Massimo Limoncelli

1 - The Virtual Restoration of Paintings and Mosaics
1.1. The Virtual Restoration of Paintings and Mosaics
1.2. Virtual Diagnostics and Restoration: Surface Analysis
1.3. Communication and enhancement of virtual restoration

2 - Surface relief
2.1. Relief and digital preservation
2.2. 2D photogrammetric
2.3. Relief with support grid
2.4. Camera scanner
2.5. Laser scanner

3 - Representation of surfaces
3.1. Representation issues
3.2. Representations without distortion: flat projections and development projections
3.3. Distortion representations: perspective projections and 3D visualizations
3.4. Graphic reduction scale

4 - Preparation of surfaces
4.1. Image optimization and surface cleaning
4.2. Levels and Curves
4.3. The Point of Black and White
4.4. Tone and Contrast
4. 5. Exposition
4.6. Chromatic alterations

5 - Surface Mapping and Noninvasive Analysis
5.1. Synoptic mapping and quantitative analysis of degrades
5.2. Mapping with thermal imaging
5.3. Infra-red and false color mappings
5.4. Mapping and qualitative analysis in XRF and rama spectroscopy
5.5. Electron Scanning Microscopy (SEM)

5 - Color analysis
6.1. Perception, standardization and color measurement
6.2. Color identification and color matching
6.3. Color analysis

7 - Integration and continuity of surfaces
7.1. Integrations: principles, forms of degradation and digital intervention
7.2. Classification and analysis of losses
7.3. Rebuildable and non-rebuildable losses
7.4. Integrations in monochrome - neutral retouching
7.5. Imitative integration in mimetic - total retouching
7.6. Imitative integration - chromatic lowering

8 - Reconstruction of surfaces
8.1. Virtual iconographic reconstruction
8.2. Reconstruction in outline
8.3. Reconstruction of "palimpsest" cycle
8.4. Virtual recomposition
8.5. Stylish recomposition

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